I'm Pars Şahin. I am Byadoniaa Productie's only employee, only director, only editor and usually its only photographer — and I see that as a deliberate choice, not a limitation.
Between a fashion campaign and a wedding story, or a portrait and a 3D sculpture, there is really no difference for me: they all begin with the same question — what is truly happening here, and how do I tell it? Story comes before light, before set design, before trends. It's the question I ask myself before accepting any job.
On most productions many hands touch the work; I carry the whole process alone — from the shoot to the edit, colour grading to writing. That sometimes means moving slower, but it always means a more honest result. The person you talk to and the person behind the camera are the same; nothing gets lost in between.
In recent years I've taken this eye in a new direction: turning photographs into 3D art. I transform a two-dimensional frame into a tangible piece you can walk around — the sculpture on the homepage is a product of that process. I don't see it as a separate service, but as a natural continuation of the same curiosity: understanding the image as deeply as possible.
I live in Istanbul and travel anywhere in the world for work. Wherever I go, what I'm after stays the same: a real moment, and a frame that tells it unforgettably.
I'm usually behind the frame; these are the rare moments in front of it.
Fashion, weddings, FPV, 3D — the pulse of years of work in a single edit.
I haven't used Instagram for a while. VSCO is where the behind-the-scenes, the experiments and the random frames of the day collect — unpolished, often unedited, just the feeling of the moment.