Digital sensors show green "correctly"; 35mm film shows it the way it is remembered. Kodak's green — that slightly warm, slightly dirty tone that turns light passing through a leaf toward honey — is one of photography's most missed colours.
Why this green?
The answer is in the chemistry: film reads the green channel not with digital's cold accuracy but with the layered emulsion's own character. Green falling into shadow slides toward olive, not grey; green stepping into sun turns to grass, not neon. These frames were shot chasing that character — 35mm's promise to green: feeling before accuracy.
Digital shows green; film reminds you of it.